The first biography of soul pioneer Isaac Hayes, whose groundbreaking music provided the foundation for hip-hop and a new racial paradigm. "Black men could finally stand up and be men because here's Black Moses; he's the epitome of Black masculinity. Chains that once represented bondage and slavery now can be a sign of power and strength and sexuality and virility." -Isaac Hayes Within the stoned soul picnic of Black music icons in the '60s and '70s, only one could bill himself without a blush as Moses, demanding liberation for Black men with his notions of life and self-Isaac Lee Hayes Jr., the beautifully sheen, shaded, and chain-spangled acolyte of cool, whose high-toned "lounge music" and proto-rap was soul's highest order-heard on twenty-two albums and selling millions of records. Hayes's stunning self-portraits, his obsessive pleas about love, sex, and guilt bathed in lush orchestral flights and soul-stirring bass lines, drove other soul men like Barry White to libidinous license. But Hayes, who called himself a "renegade," was a man of many parts. While he thrived on soulful remakes of pop standards, his biggest coup was writing and producing the epic soundtrack to Shaft, memorializing the "black private dick" as a "complicated man," as coolly mean and amoral as any white private eye. This new musical and cultural coda delivered Hayes the first Oscar ever won by a Black musician, as well as the Grammy for Best Song. Yet, few know Hayes's remarkable achievements. In this compelling buffet of sight and sound, acclaimed music biographer Mark Ribowsky-who has authored illuminating portraits of such luminaries as Stevie Wonder, Little Richard, and Otis Redding-gallops through the many stages of Hayes's daring and daunting life, starting with Hayes's difficult childhood in which his mother died young and his father abandoned him. Ribowsky then takes readers through Hayes's rise at Memphis's legendary soul factory, Stax Records, first as a piano player on Otis Redding sessions then as a songwriter and producer teamed with David Porter. Tuned to the context of soul music history, he created crossover smashes like Sam & Dave's "Soul Man," "Hold on I'm Comin'," and "I Thank You," making soul a semi-religion of Black pride, imagination, and joyful emotion. Hayes's subsequent career as a solo artist featured studio methods and out-of-the-box ideas that paved the way for soul to occupy the top of the album charts alongside white rock albums. But his prime years ended prematurely, both as a consequence of Stax's red ink and his own self-destructive tendencies. In the '90s he claimed he had finally found himself, as a minion of Scientology. But Scientology would cost him the gig that had revived him-the cartoon voice of the naively cool "Chef" on South Park-after he became embroiled in controversy when South Park's creators parodied Scientology in an episode that caused the cult's leaders to order him to quit the show. Although Hayes was honored by the Rock & Roll Hall of Fame in 2002, the brouhaha came as his seemingly perfect body finally broke down. He died in 2008 at age sixty-eight, too soon for a soul titan. But if only greatness can establish permanence in the cellular structure of music, Isaac Hayes long ago qualified. His influence will last for as long as there is music to be heard. And when we hear him in that music, we will by rote say, "We can dig it."

This intimate story of Lynyrd Skynyrd tells of how a band of lost souls and self-destructive misfits with uncertain artistic objectives clawed their way to the top of the rock 'n' roll world. Based on interviews with surviving band members, Whiskey Bottles and Brand-New Cars shares how lead singer and front man Ronnie Van Zant guided the band's hugely successful five-year run and, in the process, created not only a new country rock idiom, but a new Confederacy in constant conflict with old Southern totems and prejudices. Placing the music and personae of Skynyrd into a broad cultural context, this book gives a new perspective to a history of stage fights, motel-room destructions, cunning business deals, and brilliant studio productions. It also offers a greater appreciation for a band whose legacy, in the aftermath of their last plane ride, has since descended into self-caricature.

The first major biography of Little Richard, a rollicking, nuanced celebration of the late singer/songwriter's life and his role in the history of American music-gospel, soul, rock, and more "Tutti Frutti" * "Rip It Up" * "Good Golly Miss Molly" * "Lucille" * "Long Tall Sally" * "You Keep A-Knockin'" Little Richard blazed the trail for generations of musicians-The Beatles, James Brown, the Everly Brothers, Jimi Hendrix, the Rolling Stones, Elton John, Prince . . . the list seems endless. He was "The Originator," "The Innovator," and the self-anointed "King and Queen of Rock 'n' Roll." When he died on May 9, 2020, The Big Life of Little Richard-a nearly-completed book-was immediately updated to cover the international response to his death. It is the first major biography of Macon, Georgia's Richard Wayne Penniman, who was, until his passing, the last rock god standing. Mark Ribowsky, acclaimed biographer of musical icons-the Supremes, the Temptations, Stevie Wonder, Otis Redding-takes readers through venues, gigs, and studios, conveying the sweaty energy of music sessions limited to a few tracks on an Ampex tape machine and vocals sung along with a live band. He explores Little Richard's musicianship; his family life; his uphill battle against racism; his interactions with famous contemporaries and the media; and his lifelong inner conflict between his religion and his sexuality. The Big Life of Little Richard not only explores a legendary stage persona, but also a complex life under the makeup and pomade, the neon-lit duds and piano pyrotechnics, along with a full-body dive into the waters of sexual fluidity. By 2020, eighty-seven-year-old Little Richard's electrifying smile was still intact, as were his bona fides as rock's kingly architect: the '50s defined his reign, and he extended elder statesmanship ever since. His biggest smash, "Tutti Frutti," is one of history's most covered songs-a staple of the pre-Invasion Beatles-and Elvis pivoted from country to blues rock after Little Richard made R&B's sexual overtones a fundament of the new musical order. Even Hendrix, the greatest instrumentalist in rock history, toured with him before launching a meteoric solo career. Whenever someone pushes the music and culture of rock to its outer borders, one should turn to Little Richard for assurance that anything is possible.

After he died in the back seat of a Cadillac at the age of twenty-nine, Hank Williams-a frail, flawed man who had become country music's first real star-instantly morphed into its first tragic martyr. Having hit the heights with simple songs of despair, depression and tainted love, he would become in death a template for the rock generation to follow. Mark Ribowsky weaves together the first fully realised biography of Williams in a generation. Examining his music while re-creating days and nights choked in booze and desperation, he traces the rise of this legend-from the dirt roads of Alabama to the immortal stage of the Grand Ole Opry and to a lonely end on New Year's Day, 1953. This original work uncovers the real Hank beneath the myths that have long enshrouded his legacy.

When he died suddenly at the age of twenty-six, Otis Redding (1941-1967) was the conscience of a new kind of soul music. Berry Gordy built the first black-owned music empire at Motown but Redding was doing something as historic: mainstreaming black music within the whitest bastions of the post-Confederate south. As a result, the Redding story-still largely untold-is one of great conquest but grand tragedy. Now, in this transformative work, Mark Ribowsky contextualises Redding's life within the larger cultural movements of his era. What emerges in Dreams to Remember is not only a triumph of music history but also a reclamation of a visionary who would come to define an entire era.

Everyone knows Yogi Berra, the American icon. He was the backbone of the New York Yankees through ten World Series Championships, managed the National League Champion New York Mets in 1973, and his inscrutable Yogi-isms remain an indelible part of our lexicon. But no one knew him like his family did. My Dad, Yogi is Dale Berra's story of his unshakeable bond with his father, as well as a unique and intimate perspective on one of the great sports figures of the 20th Century. When Yogi wasn't playing or coaching, or otherwise in the public eye, he was home in the New Jersey suburbs, spending time with his beloved wife, Carmen, and his three boys, Larry, Tim, and Dale. Dale chronicles--as only a son could--his family's history, his parents' enduring relationship, and his dad's storied career. Throughout Dale's youth, he had a firsthand look at the Major Leagues, often by his dad's side during Yogi's years as a coach and manager. Dale got to know players like Tom Seaver, Bud Harrelson, and Cleon Jones. Mickey Mantle, Don Larsen, and Phil Rizzuto were lifelong family friends. Dale and his brothers all became professional athletes, following in their dad's footsteps. Dale came up with a great Pittsburgh Pirates team, playing shortstop for several years before he was traded to the New York Yankees and briefly united with his dad. But there were extraordinary challenges. Dale was implicated in a major cocaine scandal involving some of the biggest names in the sport, and his promising career was cut short by his drug problem. Yogi supported his son all along, ultimately staging an intervention. Dale's life was saved by his father's love, and My Dad, Yogi is Dale's tribute, and a must-have for baseball fans and fathers and sons everywhere.

When he died suddenly at the age of twenty-six, Otis Redding (1941-1967) was the conscience of a new kind of soul music. Berry Gordy built the first black-owned music empire at Motown but Redding was doing something as historic: mainstreaming black music within the whitest bastions of the post-Confederate south. As a result, the Redding story-still largely untold-is one of great conquest but grand tragedy. Now, in this transformative work, Mark Ribowsky contextualises Redding's life within the larger cultural movements of his era. What emerges in Dreams to Remember is not only a triumph of music history but also a reclamation of a visionary who would come to define an entire era.

For generations, American athletes have enjoyed the ever-escalating celebrity lavished upon them when they combine on-the-field talent with off-the field charisma, but never before have we seen as transformative a sports dynasty as the Mannings: a bloodline of strong arms, Southern values, and savvy business instincts-each man compelling in his own right, made whole by family. But how, in just fifty years, did this private trio achieve football immortality? A gripping and definitive account, In the Name of the Father traces Archie, Peyton, and Eli's roots from red-clay Mississippi to the bright lights of the Super Bowl to reveal the truth of their grit and dedication, their inherent ability, and the drama they endured behind closed doors. As New York Times Notable biographer Mark Ribowsky meticulously chronicles, the road to football stardom was not paved smoothly for patriarch Archie. The most celebrated and beloved athlete to emerge from tiny Drew, Mississippi, Archie lost his father to suicide during his heyday at Ole Miss. Then, despite his playing through the pain, a string of surgeries prematurely ended a storied NFL career, most memorably spent with the New Orleans Saints. Similar savior-like expectations were passed to Archie's eldest, Cooper, the most gifted of his brood, but the shocking discovery of a spinal condition prevented Cooper from ever playing a single snap of college ball. Luckily, Archie had been raising all three of his sons to love the gridiron, throwing deep balls to them off the front porch, and there were two more heir apparents in the wings. Raised watching dusty old game films in the family den, Peyton was swiftly hailed as a generational talent, his record-breaking tenure at Tennessee paving a clear path to the NFL. Winning Super Bowls with both the Indianapolis Colts and the Denver Broncos, he was able to overcome a debilitating neck injury-after barely being able to hold a football-to eclipse Archie in football success. It was Peyton who would first pair his football cachet with capitalism, selecting commercials and appearances to show off his humor and expand the now-ubiquitous Manning brand into mainstream popular culture. And finally there was quiet Eli, with an arm and a career to match his big brother's but a reserved and enigmatic affect all his own. The good-boy who followed his father to Ole Miss, Eli entered the NFL even more carefully managed then his brother was, forcing a trade when the lackluster San Diego Chargers selected him with the first pick in the draft. Even with two dramatic Super Bowl wins with the New York Giants, Eli's lows have been catastrophic, and he has never been quite the media darling his brother is. But even as their football careers wind down, the power of the Manning name only grows. Drawing on new interviews and research, Ribowsky reveals a family of transcendent talent and intense loyalty dedicated to maintaining an all-American facade that has, on occasion, shown cracks. From the family's past steeped in problematic parts of Southern identity, to locker-room scandal turned lawsuit, to flashes of fraternal jealousy, Ribowsky leaves no stone unturned. Rich in gridiron dramatics and familial intrigue, In the Name of the Father is a quintessentially American saga of a multifaceted lineage that has forever changed the game.

Everyone knows Yogi Berra, the American icon. He was the backbone of the New York Yankees through ten World Series Championships, managed the National League Champion New York Mets in 1973, and his inscrutable Yogi-isms remain an indelible part of our lexicon. But no one knew him like his family did. My Dad, Yogi is Dale Berra's story of his unshakeable bond with his father, as well as a unique and intimate perspective on one of the great sports figures of the 20th Century. When Yogi wasn't playing or coaching, or otherwise in the public eye, he was home in the New Jersey suburbs, spending time with his beloved wife, Carmen, and his three boys, Larry, Tim, and Dale. Dale chronicles--as only a son could--his family's history, his parents' enduring relationship, and his dad's storied career. Throughout Dale's youth, he had a firsthand look at the Major Leagues, often by his dad's side during Yogi's years as a coach and manager. Dale got to know players like Tom Seaver, Bud Harrelson, and Cleon Jones. Mickey Mantle, Don Larsen, and Phil Rizzuto were lifelong family friends. Dale and his brothers all became professional athletes, following in their dad's footsteps. Dale came up with a great Pittsburgh Pirates team, playing shortstop for several years before he was traded to the New York Yankees and briefly united with his dad. But there were extraordinary challenges. Dale was implicated in a major cocaine scandal involving some of the biggest names in the sport, and his promising career was cut short by his drug problem. Yogi supported his son all along, ultimately staging an intervention. Dale's life was saved by his father's love, and My Dad, Yogi is Dale's tribute, and a must-have for baseball fans and fathers and sons everywhere.

For over 50 years or until 1947 when Jackie Robinson smashed the major leagues' color barrier the only ball fields where an African American could play organized baseball were the tarnished diamonds of the Negro leagues. In the first exhaustive history of the Negro leagues, readers learn why much of black culture once centered on "blackball". of photos.

The first and only definitive biography of legendary Motown group, the Temptations The Temptations are an incomparable soul group, with dozens of chart-topping hits such as My Girl and Papa Was a Rollin Stone . From the sharp suits, stylish choreography, and distinctive vocals that epitomized their onstage triumphs to the personal failings and psycho-dramas that played out behind the scenes, Ain't Too Proud to Beg tells the complete story of this most popular-and tragic-of all Motown super groups. Based on in-depth research and interviews with founding Temptations member Otis Williams and many others, the book reveals the highly individual, even mutually antagonistic, nature of the group's members. Venturing beyond the money and the fame, it shares the compelling tale of these sometime allies, sometime rivals and reveals the unique dynamic of push and pull and give and take that resulted in musical genius. The first book to tell the whole story of Motown's greatest group, with all-new interviews and previously undiscovered sources and photographs Gives the last word on enduring Motown mysteries, including the deaths of Paul Williams and David Ruffin and the truth behind Ruffin's tumultuous romance with Tammi Terrell Reveals the secret "can't miss" formula behind the Temptations' thirty-seven chart hits Draws on more than one hundred interviews with the group's associates, industry figures, family members, and most importantly, founding Temptation Otis Williams Ain't Too Proud to Beg takes a cohesive and penetrating look at the life and enduring legacy of one of the greatest groups in popular music. It is essential reading for fans of the Temptations, music lovers, and anyone interested in the history of American popular culture over the last fifty years.

"The Supremes" is a sprawling tale of unforgettable music, cutthroat ambition, and heartbreaking betrayal. Mark Ribowsky explodes "Dreamgirl" fantasies by taking the reader behind the closed doors of Motown to witness the rise of group leader Diana Ross, the creation of timeless classics like "Where Did Our Love Go?," and the dramatic power struggles within Detroit's fabled music factory. Drawing on firsthand, intimate recollections from knowledgeable sources such as the Temptations's Otis Williams and other Motown contemporaries--many never before interviewed--"The Supremes" is "a comprehensive look at the tumultuous relationships within the Supremes as well as among others at the Motown label" ("Library Journal").